Building a Band Room:
Lessons Learned in Manteno
By David Conrad, Music Director
Manteno Unit #5 Schools (Manteno, Illinois)
Originally Published in January 1999
During the fall of 1998, the Manteno schools began planning a
building to house grades 2-5. This article complies many
documents, charts, and data that I used to justify the need for
a band room in that school. Ultimately, we were
successful!
Since publishing this resource on-line, many band directors
across the nation have used this resource to advocate for
improved facilities. Over 20,000 downloads have been
registered so far!
The data and figures were accurate in 1998. Make
sure you update the current prices of construction in your area.
This information is vital, as most decisions come down to
money.....the school has a fixed amount o construction funds to
spend.
Advocacy
Be prepared to answer tough questions about your needs. You
will have to become an advocate for your part of the project.
Questions and Answers
Q: Why should the district spend money on a band
room?
A: This year, fifth grade parents
have invested almost $85,000 in beginning band
instruments. At the very least, the district needs to
provide an appropriate teaching facility for all of our
beginning band students. When you realize the investment
that our parents are making, beginning band is one of the
most cost-effective programs our district can offer. A band
room is a fixed, one-time cost.
The following table illustrates in the parent investment
in our 5th grade band program:
|
Parent Investment in 5th
Grade Band
(from 1998-1999) |
|
Instrument |
Rental Cost
(plus books) |
Number Enrolled |
Total Cost |
|
Flute |
$659.00 |
14 |
$9,226.00 |
|
Clarinet |
$619.00 |
21 |
$12,999.00 |
|
Oboe |
$1,624.00 |
5 |
$8,120.00 |
|
Alto Saxophone |
$1,284.00 |
11 |
$14,124.00 |
|
Trumpet |
$739.00 |
15 |
$11,085.00 |
|
French Horn |
$1,789.00 |
8 |
$14,312.00 |
|
Trombone |
$739.00 |
12 |
$8,868.00 |
|
Baritone (3/4) |
$1,869.00 |
1 |
$1,869.00 |
|
Baritone (4/4) |
$2,019.00 |
1 |
$2,019.00 |
|
Percussion |
$389.00 |
6 |
$2,334.00 |
| |
94 |
$84,956.00 |
Q: What will the proposed space be used for?
A: This multiple-purpose room is designed to be
flexible and accommodate many activities. Band instruction
will take place in this room during the school day. A
folding wall will open into the gym, creating a performance
stage that can accommodate elementary music programs, bands,
choirs, drama, and dance.
The music staff plans to add co-curricular
performance groups to the new building. One option is two
after school choruses: one for 4th graders and one for 5th
graders. This group would rehearse after-hours in this room.
Alan Shepard School in Bourbonnais offers after school
choirs to its 4th and 5th grade
students.
Q: You should teach full band in the gym or cafeteria.
Why not?
A: A gymnasium would not provide a healthy acoustical
environment for daily instruction. It would not provide
space for instrument storage, percussion instruments, or
practice rooms. Supplementary displays and bulletin boards
could not be provided.
Equipment security is an important factor. Also, valuable
instructional time would wasted by the daily setting-up and
tearing-down of the band. The drop-out rate would increase.
Q: How do you know "how big" of a room you need?
A: You need to calculate the necessary
room size. There are two important measurements to
consider: square footage and cubic volume.
For square footage, Harold Gerdes recommends 25-30 ft2
of rehearsal space per student. This is not the
amount of space taken up by one student. Instead, this
is an estimate that factors in necessary space for aisles
and traffic flow, large instruments, and music stands. This
figure assumes a minimum rehearsal floor of 1500 ft2.
An architect must provide as much cubic volume as
possible. An appropriate ceiling height diffuses the
sound. Student hearing is protected from damage, and the
room acoustics are improved. The typical band room ceiling
is between 14-18 feet high, depending on the shape of the
room.
|
Rehearsal Area Size Calculations
1
(this does not include
storage rooms and offices) |
|
Harold Geerdes, Music
Facilities2 |
Wenger Corporation, Planning
Guide3 |
|
Number of Students |
Area
(ft2) |
Volume
(ft3) |
Number of Students |
Area
(ft2) |
Volume
(ft3) |
|
1 |
25 |
600 |
1 |
30 |
550 |
|
60 |
1500 |
36000 |
60 |
1800 |
33000 |
|
90 |
2250 |
54000 |
90 |
2700 |
49500 |
|
120 |
3000 |
72000 |
120 |
3600 |
66000 |
|
1 Both estimates assume a
minimum rehearsal size of 1500 ft2.
2 Geerdes recommends 25-30 ft2
for band, and 30-35 ft2 for orchestra.
3 Wenger recommends 30-35 ft2
for instrumental music. |
|
Florida Department of Education
School Design Requirements |
| |
Capacity |
Minimum |
Normal |
Maximum |
Additional Space Required
(normal ft2) |
| Music Lab |
28 |
50 ft2 |
52 ft2 |
54 ft2 |
reference
area (100 ft2), storage (155 ft2),
and practice room (one 40 ft2 room for
every 40 students) |
| Band Room |
none
given |
1500 ft2 |
2000 ft2 |
2500 ft2 |
reference
area (100 ft2), storage (155 ft2),
ensemble room (300 ft2), practice room
(one for every 40 students), instrument
storage (600 ft2),
studio (185) |
Q: Why can’t we just cut the room in half and split the
band into two?
A: That doesn’t work. According to
Harold Geerdes, "The square footage per player allowed for a
smaller ensemble should be somewhat more than for a large
group, because circulation space requirements do not
decrease proportionally."
Office space and storage areas are still needed whether
you build a band room for 60 or 120 students. A closet for
storing folding chairs and portable risers is still needed.
The smallest rehearsal space that should ever be
built is 1500 ft2. This is supported by four
different sources: Geerdes (1990), Wenger (1998), Pizer
(1993), and the Florida Department of Education (1998).
Q: Why can’t "chorus" and "band" be taught in the same
room?
A: Some people confuse "chorus" with "general music".
In Manteno, general music is taught to students in
grades K-4. Susan Turner is the general music teacher in
Manteno. The general music curriculum includes
movement, Orff instruments, solfege, listening analysis,
music reading, dance, singing, and multi-cultural music.
This curriculum exceeds the Illinois Learning
Standards.
Chorus is a specialized performance group. Students
learn to sing in unison and harmony. Chorus does not meet
the Illinois Learning Standards.
The general music room in an 800-student
elementary school will be used all day just to meet
the minimum time for music instruction. A general music room
needs to have flexible furnishings to allow for movement
instruction.
Q: The architect says that he has never built a band room
larger than 1100 ft2. What is special about our
needs?
A: The Manteno project will hold 800
students at capacity. This will be the largest elementary
school in the area.
1100 ft2 might be an adequate room size for
general music. For bands, however, such a room could not
produce the cubic volume necessary for healthy acoustics.
Storage, practice rooms, and office space must also be
factored into any band room design.
It is true that some districts do not adequately plan for
5th grade music instruction. Many suburban band
programs are taught in closets, kitchens, and hallways. This
leads to high drop-out rates and low participation. When
you are designing a new building that will house a beginning
band program, you must plan an appropriate teaching facility
for band instruction.
Q: Why would we need a "Cadillac" band room?
A: This will be a large room, but it
will not have the full appointments of our junior high or
high school band rooms. It would best be described as a
"large Chevy". Incidentally, the present high school band
room has 1735 ft2 of rehearsal space and has a
total of 2400 ft2 (including offices, storage
rooms, and practice rooms). The high school and middle
school both have permanent tiers. These buildings also
have tympani, chimes, drum sets, synthesizers, bass
clarinets, music libraries, and other expensive equipment
that would not be purchased for 5th grade
band.
Q: What is wrong with an 1100 ft2 band room?
A: An 1100 ft2 room does not meet our
current needs. Our current band enrollment is over
90 students. A balanced instrumentation could not be
achieved in split bands.
An 1100 ft2 room does not meet our
future needs in a 2-5 building. At capacity, eight
sections of fifth grade would be housed here. Approximately
200 fifth grade students would be enrolled here. Using the
1998 recruitment rate, over 140 students would be expected
to join the fifth grade band. This basic enrollment is 120%
larger than the room capacity. Balanced instrumentation
would be difficult to achieve due to the scheduling
pattern needed for split bands. Elementary music programs
could not be staged from this room. Full band
performances could not be staged from this room.
An 1100 ft2 room does not meet our
future needs in a K-5 building. A future "neighborhood
school" housing grades K-5 would have a capacity for five
sections of each grade level. Approximately 125 fifth grade
students would be enrolled. Using the 1998 recruitment rate,
over 90 students would be expected to join the fifth grade
band. This basic enrollment is 50% larger than the room
capacity. Split band in this building would be too small;
balanced instrumentation could not be achieved. Full
band performances could not be staged from this room.
Q: Why do you recruit kids into the band?
A: In Manteno, band instruction begins in 5th
grade. In order to maintain a strong, district-wide band
program, we must start an adequate number of players. We
must also start them on the rights kinds of instruments.
This year, 75% of 5th grade families chose to
enroll their kids in the band.
Q: What other schools teach 5th graders in
a full band?
A: Manteno has always had a 5th grade full
band. Most schools teach fifth grade band using a
combination of lessons, sectional, and full band rehearsals.
Kirby School District #140 in Tinley Park has three full
bands that each exceed 100 players. In Plainfield, their
district-wide beginning band exceeds 200 musicians. Full
band supplements group instruction.
Peotone has recently hired a second, full-time band
instructor. This has resulted in the expansion of full band
opportunities and lesson time for grades 5-6.
Q: What happens if a band room is not built?
A: The music staff proposes bussing
students to the middle school or high school band rooms for
full band practice. This would result in wasted
instructional time and additional expenses for fuel and bus
driver wages. Parent dissatisfaction with the lack of an
appropriate band room would decrease enrollment.
Busing band students between buildings is currently in
practice in Kankakee School District #111 and Kirby School
District #140.
Q: What furnishings will be needed in the band room?
A: We need the following items:
- Chairs and music stands (one per student)
- Basic percussion instruments (bass drum, bells,
snare drums, cymbals)
- Podium and director’s stand/chair
- One filing cabinet for music storage
- Furnishings for teacher office (desk, files,
cabinet, etc.)
- Computer/phone/data equipment
- Shelves, cabinets, or lockers for student instrument
storage
- Basic sound system -- CD player, recorder,
amplifier, speakers
Q: What does __________ mean?
A: Be prepared to define any unfamiliar terms.
|
Definition of Terms |
|
Rehearsal Area |
The space
in the room where instruction or performance takes
place. This does not include storage space or
office space. |
|
General Music |
The
general music curriculum includes movement
instruction, Orff instruments, solfege, listening
analysis, music reading, dance, singing, and
multi-cultural music. This curriculum exceeds
the Illinois Learning Standards. |
| Chorus |
Chorus
is a specialized performance group. Students learn
to sing in unison and harmony. Chorus does not
meet the Illinois Learning Standards. |
|
Instrument Storage |
Area
where students keep their instruments during the
school day. |
Q: What if we later convert to a K-5 neighborhood
school?
A: You need a band room in a K-5 building. In this
K-5 building, we anticipate an instrumental enrollment of 90
students. If the present middle/elementary schools were
converted to a K-5 campus, both neighborhood schools would
have band rooms.
Q: What if we later convert to a K-3 school?
A: This room would still be needed as a
performance area. General music could be moved into this
space, freeing up one room for classroom instruction. With
its proximity to the overflow parking (bus) area, this room
will be utilized by the community groups -- especially arts
organizations.
Q: Isn’t the building is already too large?
School Planning & Management magazine has published
data on new school buildings.
The Manteno Elementary plan – with a band room –
ranks slightly above the lowest quartile for square
feet per student. The lowest quartile means that 75% of the
schools built provided more square footage per
student than the Manteno project. Only 25% of newly-built
schools provided less square footage per student.
At the same time, this project ranks above the highest
quartile for both the total size of the building and the
number of students it is designed to hold.
In other words, the Manteno project ranks among the
largest buildings to be built, but it provides the least
amount of space per student.
|
Profile of New Elementary Schools
(from School Planning &
Management) |
| |
Cost per ft2 |
Cost Per Student |
ft2 Per Student |
# of Students |
Building Size (ft2) |
Building Cost (000s) |
|
National Median |
$97.69 |
$11,429 |
119.0 |
550 |
67,000 |
$6,500 |
|
LOW 25% |
$79.21 |
$8,334 |
98.0 |
400 |
50,000 |
$5,000 |
|
HIGH 25% |
$125.64 |
$18,696 |
166.7 |
725 |
85,000 |
$8,900 |
|
HIGH 10% |
$153.10 |
$27,778 |
253.0 |
823 |
100,000 |
$12,000 |
|
Manteno Intermediate
School:
New Building Project (with band room)
Comparison of cost @ $92.00 and
$97.69 (cost per ft2) |
|
Cost per ft2 |
Cost Per Student |
ft2 Per Student |
# of Students |
Building Size
(ft2) |
Building Cost (000s) |
|
$92.00 |
$9,373 |
101.9 |
800 |
81,500 |
$7,498 |
|
$97.69 |
$9,952 |
101.9 |
800 |
81,500 |
$7,962 |
Q: What about those Plainfield schools we
visited?
A: During the 1997-1998 school year,
Melody Balicki was employed as a band director in the
Plainfield School District. She taught two junior high
school concert bands, taught beginning band in two K-5
buildings, and served as a marching band instructor. In two
elementary buildings, she recruited students for the
beginning band. The same materials and teaching techniques
were used at both schools.
School "A" had a dedicated band room and full band
rehearsals. They experienced an 89% retention rate. Mrs.
Balicki stated that full band experiences were the key
component to this success. Students were motivated by the
team spirit and cooperative atmosphere of the full band
rehearsal. The dedicated band room allowed her to provide
appropriate percussion instruments for the beginning
percussion class. Fingering charts and other visual learning
aids could be posted on the walls.
School "B" did not have a dedicated band room.
They experienced a 26% higher drop-out rate. Students
who fell behind could not be helped. Students did not
develop a "team" identity which leads to a cohesive group
spirit. There was no place to teach full band.
The purpose of the full band rehearsal in to reinforce
the instrument fundamentals which are taught in small-group
lessons.
|
5th Grade Band in Plainfield,
Illinois
Research conducted by Mrs. Melody
Balicki during SY 1997-1998 |
| |
Facility |
Teaching Schedule |
Students Recruited |
Students Retained |
Retention Rate |
|
School "A" (K-5) |
Dedicated
Band Room |
Lessons
and full band rehearsals begin in September.
Students start full band experiences during the
first week of instruction. |
35 |
31 |
89% |
|
School "B" (K-5) |
No Band
Room, band teacher uses a different classroom for
each lesson |
Student
attends one lesson per week. No full band
experience. |
40 |
25 |
63% |
Q: How do we evaluate a building plan?
A: Russell Pizer has published specific
criteria for evaluating a band room:
|
Criteria for Appropriate Concert
Band Facilities
Adapted from Evaluation
Programs for School Bands and Orchestras by
Russell Pizer (1990) |
|
The rehearsal room..... |
Is a
designated space not used by other classes or
activities. |
| Is
designated specifically for instrumental music
instruction. |
| Is
undisturbed by other areas of instruction and
activities during the school year. |
| Is
located in an area segregated acoustically from
academic classes. |
| Is
accessible to the auditorium or performance area. |
| Has
direct entry/exit to the outside. |
| Contains
lavatory and drinking facilities. |
| Has all
music areas in proximity. |
| Is at
least 1500 square feet in size. |
| Allows 20
square feet per student and a minimum of 260 cubic
feet per student. |
| Is at
least 30 feet in depth. |
| Ceiling
is at least 14 feet, but does not exceed 18 feet. |
| Contains
risers with a width of five feet. |
| Contains
risers with safety strapping along the front edge. |
|
Temperature is thermostatically controlled at a
constant 68-70 degrees Fahrenheit. |
| Heating
vents are fire-proofed. |
| Heating
vents are not connected to other classrooms. |
| Heating
vents are acoustically treated. |
| Has easy
access to fresh air. |
| Air
conditioning provides humidity of 40-60%. |
| Air
conditioning controls are in the music area. |
| Has
natural lighting from the east or west. |
| Has
artificial light that is indirect or fluorescent
with a minium of 50 foot candles. |
| Has its
acoustic properties controlled by special wall
materials, tiles, and/or draperies. |
| The
practice rooms.... |
Number a
minimum of three. |
| Contain
pianos. |
| Are a
minimum of 8 feet by 10 feet. |
| Have
soundproof doors, walls, floors, ceilings, and
windows. |
| Have good
ventilation and adequate lighting. |
|
The office.... |
Is
provided. |
| Size is a
minimum of 10 feet by ten feet. |
| Contains
a desk, chairs, filing and storage equipment,
secretarial desk, and telephone. |
| Has a
window to the rehearsal area. |
| Has
communication to all parts of the school. |
|
Ancillary rooms... |
Include
an instrument room or facility. |
| A repair
facility containing a work bench, cabinets,
instrument storage, tools, gas, water, and electric
connections. |
References
Florida Deaprtment of Education. (n.d.). Size of space and
occupant design criteria table. Available: http://www.firn.edu/doe/rules.
Geerdes, H. (1987). Music facilities. Reston,
Virginia: Music Educators National Conference.
Pizer, R.A. (1990). Evaluation programs for school bands
and orchestras. West Nyack, New York: Parker Publishing.
Profile of new schools. (1998). School Planning and
Management. Available: http://www.spmmag.com/construction/3.html.
Wenger Corporation.(1998). Planning guide. Materials
available from the author at Owatonna, Minnesota.
Additional Resources
(some may be outdated or unavailable)
http://www.edfacilities.org/rl/music_suites.cfm (written by
John R. Stevenson)
Planning Guide for Secondary School Music Facilities. Version
2.2. http://www.wengercorp.com/
This planning guide focuses on the fundamental requirements for
planning and designing school music suites.
Music Education Suites http://www.edfacilities.org/pubs/music3.html
Kemp, Wayne (Washington, DC: National Clearinghouse for
Educational Facilities (NCEF) , May 2000)
This publication describes options for designing and equipping
middle and high school music education suites and suggests means
of gaining community support for including full service music
suites in new and renovated facilities.
Arts Education Facilities Planner. Grades K-8. http://www.schoolclearinghouse.org/pubs/artsk-8.pdf
(North Carolina Dept. of Public Instruction, Raleigh , Apr 2000)
This reference document for public school facility designers
addresses arts education programs and the facilities that
support them.
Instrument Storage: Effective Design for Band & Orchestra
Facilities
Wellik, Jamie (LSI Corporation of America, Minneapolis, MN , Oct
07, 1996)
A conference presentation focuses effective secondary school
band and orchestra instrument and accessories storage.
Acoustical Design of Music Education Facilities
McCue, Edward, Ed.; Talaske, Richard H., Ed. (Acoustical Society
of America, Washington, DC , 1990 )
This publication provides essays on the acoustical design of
music education facilities and reproductions of posters
describing 50 projects presented at the 117th Meeting of the
Acoustical Society of American held in Syracuse, New York in May
1989.
Sound Planning for Music Facilities
(Oregon Department of Education, Salem, OR , 1979)
This booklet is designed as a reference for Oregon music
educators and administrators who are considering building or
improving school music facilities.
Auditoriums/Music Rooms
American School and University; v74 n12 , p52-62 ; Aug 2002
Describes the design of notable school auditoriums and music
rooms, including the educational context and design goals.
Building Blueprints: Room To Practice
College Planning and Management; v4 n2 , p46-47 ; Feb 2001
Presents Millikin University's (Decatur, IL) renovated School of
Music facility that includes additional practice rooms and
faculty studios, a computer-assisted instruction classroom, and
a recording studio.
Enhancing the Sound of Music
http://asumag.com/ar/university_enhancing_sound_music/index.htm
Sankey, Michael. American School and University; v73 n3 ,
p440-41 ; Nov 2000
Discusses the importance of well-designed rooms with the proper
acoustics to facilitate effective music instruction.
Middle School Music Facilities: Good Acoustics, Flexibility
Required
Smedstad, Mike. School Planning and Management; v39 n10 , p26-27
; Oct 2000
Explains the four critical factors needed in designing music
suites for middle schools that can help achieve the music
programs education goals while accommodating the specialized
activities and equipment needs of the suite. Factors examined
are the acoustics, floor plan, storage, and equipment needs.
Let There Be Music
Clark, Nancy. Principal; v79 n2 , p43-45 ; Nov 1999
Designing a Secondary Music Suite
Smedstad, Mike. School Planning and Management; v37 i10 , p32-34
; Oct 1998
Discusses four factors in designing a school music room that
satisfies student, teacher, and school needs.
Harold P. Geerdes on Musical Facility Design
Wagner, Michael. Music Educators Journal; v83 n3 , p28-32 ; Nov
1996
Dr. Geerdes discusses the different characteristics of rehearsal
spaces and concert halls as well as the importance of interior
materials and design. He also provides some easy and inexpensive
tips for schools.
Rehearsal Rooms
Mills, Donn Laurence. The Instrumentalist; , p78-80 ; Apr 1979
Discusses aspects of a good rehearsal room, including acoustics,
space, light, air, and decor.
NASM (http://www.arts-accredit.org/nasm/nasm.htm) has a book
entitled "Acoustics for Performance, Rehearsal, and Practice
Facilities".
Djerf, Warren. 1999. "Sound Effect." School Planning and
Management (August), pp. 22—23;
http://www.peterli.com/plegarchive/spm/22.htm
Dressen, Ric. 1997. "Music to Our Ears." American School
Board Journal (October), pp. 24—26.
Minnesota Department of Children Families and Learning. 1998.
Guide for Planning School Construction Projects in Minnesota.
Roseville, Minn. Available online at http://cfl.state.mn.us/FACILIT/facilit.html.
North Carolina Public Schools Facilities Guidelines. 2000.
Raleigh, N.C. Available online at
http://www.schoolclearinghouse.org/pubs/facguid.pdf.
|